Thursday, August 9, 2012

To Janet V. Lender, Departed


That’s Mom at left in her last photo, taken just days before she passed away about two years ago.  She was 90.  I haven’t blogged about her yet, because my memories of her as an elderly woman were most prominent in my mind.  That was troubling to me, because I wanted to remember her for who she truly was, as the younger woman I knew as our Mom growing up.

I’ve gotten over it.

Dad died five years before Mom, and almost immediately afterward she said she wanted to move out of their condo in the assisted living community Dad had moved them into about seven years beforehand.  He’d arranged their move largely because he wanted Mom to be in a facility where she’d be cared for in case he went first.  Mom said she never wanted to move out of Mt. Tabor, where they’d lived for over 33 years, and admitted she’d wished she’d pushed back to Dad about it.  She said the assisted living place was too depressing: somebody she knew died each month.  She also said that after Dad died she didn’t have any privacy, couldn’t even eat alone in the dining room if she wanted to.  She wanted her own place and independence again.

We moved her to an apartment in Bergen County, about five minutes from Manette’s and my house.  Once or twice a week I’d go over if I didn’t otherwise see her for dinner or a visit to our house.  I’d check out the new scrapes in the bumper of her ’98 Ford Taurus, make sure she had everything she needed, help her with her finances and have tea or a snack.  Periodically she’d appear on our back patio (a mile walk from her apartment), gazing off at the woods.  She wouldn’t ring the bell because she’d insist she didn’t want to disturb us.  I’d come out to make sure she was okay.  “Oh, yes, dear,” she’d say.  “I’m just resting before I walk back home.”  She’d accept a glass of water but always refuse a ride.

She drove almost until the end.  She’d get lost on the way back from Shop-Rite once in a while, and find her way home by asking someone walking by the side of the road how to get to Prospect Avenue.  After being injured in falls when she was 88 and 89, she insisted she was only taking a hiatus from driving until she’d healed.  I’d go over and start up the Taurus every week or two, drive it around, maybe take it to the car wash.  Then I’d report to her that everything was in fine working order for when she could resume driving.

She lived with Manette and me for about a month after her first fall (I started referring to her as “the old girl” around that time, never to her face, of course).  The doctors never figured out what caused it, but wanted to put her on anti-seizure medication anyhow.  Even before I could protest, Mom said no way.  She wasn’t about to get dumbed-down into a zombie by some drug.  We have a big house; I asked Mom if she thought she’d be better off living with us.  She wouldn't hear of it.  I was at least able to impose the condition that she let me get her a Life Alert emergency service when she returned to her apartment.

Her second fall was more serious.  She wasn’t wearing her Life Alert emergency buzzer around her neck, and it took her a half hour to crawl to the phone with a broken hip to call for help.  She had a partial hip replacement, rehab, then another surgery and full hip replacement.  She lived with Manette and me again for about five months after she finished her second rehab.

She progressed from a wheelchair to a walker, exercising up and down the driveway, forbidden from the sidewalk and streets.  We’d find acorns, leaves and little pieces of bark in her pockets that she’d pick up and examine.  Once our neighbor, Venus, brought Mom home after finding her 100 yards down Summit Avenue—Mom would make a break for it down the sidewalk if she sensed I wasn’t watching.  Venus said Mom had fallen; Mom said, no, she’d bent over to pick up an interesting leaf and just slipped.

Mom was an accomplished artist all her life, working in watercolors, acrylics and pencil and charcoal.  Manette and I bought her sketch pads and pencils while she was living with us.  She never used them.  But on my birthday that year she sketched me with a ballpoint pen on our kitchen notepad and presented it to me with her birthday wishes.  I think it’s the last sketch she ever did.

That Christmas she asked for help in buying gifts for her grandchildren and great-grandchildren—she was “Grandmother,” declaring from the outset she wasn’t “grandma,” “nannie” or “granny,” and “GG” to her great-grandchildren.  We made a list.  I dusted off her wheelchair and took her to Target.  While we searched the aisles for what Mom wanted, she invariably stopped me and pointed at something the kids would like better.  Mission accomplished.  That year Mom used our return address when she mailed her Christmas cards.  She made sure everyone (and I) knew she’d be returning to her apartment by jotting beneath our address: “Temporary.”

One night Manette and I dared to go out to dinner.  Mom set off the smoke alarm while cooking dinner and the fire department was summoned to our house.  After that we hired a live-in health aid.

Mom moved back to her apartment six months before she died, this time with her live-in health aid.  By then she was getting around fine with a cane.  She went through a bad patch a month before she died, and one morning her health aid called me over.  Mom’s breathing was labored, so I called an ambulance.  I stayed beside her gurney in the emergency room, watching the monitors and talking with her.  She kept apologizing for inconveniencing me, right up until five minutes before she took her last breath.

While I was outside calling my brothers, one of the nurses came out to me, apologizing for interrupting.  She wanted to know what kind of pacemaker Mom had, because they couldn’t shut it off.  The old girl just wouldn’t give up.

Sunday, March 25, 2012

Mark Knopfler, Rüdiger and Me

Click cover to buy on Amazon
I recently wrote a short story called Rudiger.  I titled it and created the main character, John Rudiger, based on emotions evoked by a song called "Rüdiger" by Mark Knopfler.   For those of you who don’t know him by name, Mark Knopfler is better recognized as the front man, guitarist and creative force behind the now disbanded rock group, Dire Straits.  "Rüdiger" is from Knopfler’s first solo album, Golden Heart.  "Rüdiger" has a haunting melody and soft backing instruments and vocals behind Knopfler’s trademark lead guitar and gravelly voice with lyrics that linger.

A link to Knopfler performing the song on YouTube in 1996, when it was released, is here: http://tinyurl.com/423d85w

The melody and pace of the song always called to mind the image of someone skulking around with something to hide.  For years I’ve thought of writing a story about a crook hiding out in the Caribbean from the authorities, and every time I thought about it the song, "Rüdiger," played in my head.  So, I wrote the story.

In it, John Rudiger is a fugitive financier living under an alias in the Caribbean, because he ran off with close to $100 million from his hedge fund ten years ago.  He's now down to his last $2 million.  Katie Dolan, a lawyer with the US Attorney's Office in New York, is sent to Antigua to try to get enough evidence to extradite Rudiger back to the US to stand trial.  Rudiger recruits her to help him retrieve $50 million of stolen bearer bonds he can’t get otherwise get out of a safe deposit box in New York.

Katie is no dope, and neither is Rudiger, and each one has to figure out who's scamming who as they work their plan to sneak the bonds out from under the nose of Charlie Holden, Katie's boss, the Assistant US Attorney in New York (a character reprised from my Wall Street novel, Bull Street), who's wise to both of them.

I enjoyed the characters and writing the story so much that I’m creating a series out of it, called the White Collar Crime Series.  Rudiger and Katie will be back, and other shady types will be introduced as well.  I hope you’ll give Rudiger a try.

Update: since I wrote this post I introduced a new short story about Rudiger, Rudiger Comes Alive. It's the prequel to Rudiger, about how Walter Conklin, wunderkind hedge fund manager who runs a $1 billion technology fund, gets stuck between his CFO cooking the books to draw in more investors, Charlie Holden on his trail to arrest him, and his wife Angela, who's never at a loss for (sharp) words. Leaving the country begins to seem like a viable option to him.
Click cover to buy on Amazon

Rudiger is a 10,000 word short story.

Read an excerpt from Rudiger



Now Rudiger's subsequent adventures are available in the collection, Rudiger Stories.  And a Rudiger novel, Spin Move, takes Rudiger and Katie on a new jaunt from the Caribbean to Africa, Continental Europe and the UK.  I hope you'll give them a try as well.


Click cover to buy on Amazon





Buy Rudiger Stories: Buy US  Buy UK









Click cover to buy on Amazon










Monday, February 20, 2012

To John Glenn and Mrs. Slocum


Today was the 50th anniversary of John Glenn’s orbit of the earth, the first by an American. It was also the 50th anniversary of the first story I recall ever writing. Mrs. Slocum, my fifth grade teacher at Mt. Tabor School, gave us the assignment to write an essay about Glenn’s historic spaceflight on that day. She wasn’t more specific than that—it just had to be about Glenn’s spaceflight. I remember pondering over what to write for a while without coming up with an idea, then started writing when Mrs. Slocum said we had 15 minutes left, putting down the only thing that came to mind.

It was a story about seeing Glenn sitting on the steps of the Mercury capsule, looking dejected (I’m sure I didn’t use that word). I asked him what was wrong and he told me he’d locked himself out of the space capsule and had no way to get back in, and no way to get home again. I told him not to worry and tossed him a skeleton key. He thanked me, unlocked the door to the capsule and went in. He waved to me through the window as he continued on his way, orbiting the earth and finally splashing down safely.

I remember walking home that afternoon with second thoughts about my “essay,” afraid I’d get in trouble. The Glenn flight seemed to be the only thing anybody talked about on the way home from school, all we talked about at dinner and the only thing on television that evening. I couldn’t get away from it, and kept thinking about Mrs. Slocum sitting in front of the TV watching Glenn on the news, reading our essays, getting to mine and saying to herself, “What’s this? This isn’t an essay.” I had visions of getting my story back the next day with a “C” (that was the worst I could imagine, never having gotten one that I can recall up to that point). I went to sleep thinking, “Oh, man. A ‘C,’ Mom and Dad are going to be mad.”

When I got to school the next day I was still anxious.  Mrs. Slocum went about our lessons the usual way, never referring to the essay on Glenn.  It wasn’t until after lunch that she handed them out.  I sat about halfway back in my row, and the wait was excruciating as the kids in front of me passed them back. When it arrived I was thrilled: an ‘A.’ Mrs. Slocum even mentioned my story to the class, saying she thought it was a clever approach or something like that. I took it home and proudly showed it to my Mom, who also thought it was great.

Mom saved it for years, every once in a while showing it to a neighbor.  Mrs. Hutchinson, as I recall, pretended not to have read the story when Mom showed it to her the second time. It got to the point that I started to cringe whenever Mom brought it up with one of the neighbors around. Even so, as I write this I remember thinking back to that story many times over the years as the first evidence that I might have the inclination to be a writer one day.

Saturday, December 24, 2011

Merry Christmas to Janet and Hank Lender

I ran a post on September 2nd, which would have been my father's 88th birthday, entitled "Hank Lender's Photographic Legacy."  I've reproduced the post below, with the addition of the cover photo I used for Vaccine Nation, my current thriller.  That photo, from the dock at Mom and Dad's house on Twin Lakes, PA, was the last he ever took.  Mom passed away a year and a half ago, and we sold the lake house just last week.  Now the photo has extra meaning.   Merry Christmas, Mom and Dad.
Copyright 2005 by Herman J. Lender
Dad was an accomplished man on many levels, including having a good sense of humor.  I was with him when Dr. Kimmel, his cancer surgeon, visited him the night before his final surgery.  The odds weren't good, and one of Dr. Kimmel’s final comments was that Dad’s chances of survival were, "miniscule."  After Dr. Kimmel left, Dad said, "Well, at least I don't have to worry about running out of money."

"The Man in White"
Copyright 2005 by Herman J. Lender

Then he got serious.  He made a rueful comment about "all this knowledge" he'd accumulated, and that it would pass on with him.  Dad seemed to be interested in just about everything—classical music, photography, opera, The Beatles, bread baking, gardening, finance, running; the list is endless—and after high school was totally self educated.  We talked about his legacy and I made the point that the knowledge he accumulated, his interest in things, and his intense approach to learning about them was something that would be carried on through his four sons and all his grandchildren.  Ironically, one thing we didn't talk about was his photography, a life-long interest of his.
Copyright 2005 by Herman J. Lender


My brothers and I grew up hearing about Leicas, Nikons, Hasselblad's, telephoto lenses, light meters and f-stops.  Dad built basement darkrooms in each of the three houses in Mt. Tabor we lived in growing up, then another in New Canaan after I went off to college.  We all experienced the magic of going into the darkroom with Dad and watching under a dim yellow bulb as Dad's 35mm black-and-white images appeared in the developer bath.  He taught us how to pick up a photo from the developer bath by the corner with the plastic tweezer, let it drain, then dunk it in the fixative, then in the water bath.  Sometimes I detect a scent that reminds me of those chemicals and it always takes me back to those days.

After Mom died a year ago, we went through all of Mom and Dad's things to close up her apartment.  They had tons of his framed prints on the walls and stacked in boxes in the closets; they’re still sitting in my attic because my brothers and I haven't finished divvying them up.  Most of Dad's 35mm negatives and his color slides are upstairs in their house at Twin Lakes.  But after we closed up Mom's apartment, I put all of Dad's digital collection—he converted to digital in 2000—on 16 GB USB flash memory drives and sent one to each of my brothers.  So that's another part of Dad's legacy we can all carry on.

Copyright 2005 by Herman J. Lender
The cover photos for all three of my books—Trojan Horse, The Gravy Train and Bull Street—are Dad's.  Dad's originals are presented here, before I cropped and Photoshopped the first two so the lettering would stand out on the covers.  Most think the pictures are of Wall Street, which was the image I intentionally tried to evoke based on the content of my books, but they're actually of Second Avenue and the 59th St. Bridge, taken from the balcony of Manette’s and my 24th floor apartment at 58th St. and Second Avenue in New York City.  Dad titled the photo for the Trojan Horse cover, at top left, "The Man in White."  If you look closely, you can see a man dressed completely in white jaywalking through the heavy traffic (he’s inside the “D” of “Lender” on the book’s cover).  The photo for the cover of The Gravy Train, at center, is about the same shot taken at night.  The Bull Street cover photo is at left, a night shot of the 59th St. Bridge.

Monday, December 5, 2011

Vaccine Nation--In the Tradition

Click cover to buy on Amazon
My new thriller, Vaccine Nation, is a fast-paced action thriller designed to entertain, but it also explores the very real issues in the current debate over vaccine safety in the mandatory U.S. National Immunization Program.  The book is now available on Amazon for pre-order for delivery November 22nd.  Please click on the book cover to order.

In Vaccine Nation, Dani North is a filmmaker who just won at the Tribeca Film Festival for her documentary, The Drugging of Our Children, a film critical of the pharmaceutical industry.  She’s also just started work on a new documentary on autism.  When a pharmaceutical industry vaccine researcher hands her smoking gun evidence about the U.S. National Immunization Program seconds before he’s murdered right in front of her, Dani finds herself implicated and pursued by the police.

Dani realizes what she’s been handed could have crucial implications on upcoming hearings by a Senate committee.  A key issue the Senate committee will consider is whether Congress should continue the immunity it granted in 1986 to the pharmaceutical industry for claims by parents on damage to their children from the U.S. National Immunization Program. That puts Dani on the run in a race to understand and expose the evidence.  That is, before the police can grab her, or Grover Madsen, a megalomaniacal pharmaceutical industry CEO, can have her hunted down by his hired killers.  Madsen knows exactly what Dani has and how explosive it is for the pharmaceutical industry: it has the potential to make the tobacco industry’s lawsuits and subsequent multi-billion dollar settlements seem like routine slip-and-fall cases.  Madsen uses all his company’s political and financial resources to track Dani.

The book’s pace is intended to be reminiscent of Six Days of the Condor (and the film it spawned, Three Days of the Condor), or Hitchcock’s North by Northwest.  The action of Vaccine Nation occurs over four breathtaking days.

The current debate in the U.S. on vaccine safety portrayed in the novel is real.  My primary inspiration for writing Vaccine Nation was my exposure to the vaccine debate through my fiancé’s work as a documentary filmmaker in the health-related field, including films on ADHD and related drugging of children, and on vaccines and autism.  The facts in Vaccine Nation are accurate, based on my exposure to them through Manette’s films and my own research.  People will find some of them shocking.  For example, in 1986, Congress granted immunity to the pharmaceutical industry for liability related to their vaccines for the National Immunization Program.  Vaccines in the childhood vaccination schedule contain toxic substances like aluminum, formaldehyde and the chemical compound in anti-freeze.  The flu shot still contains thimerosal, a preservative that is 49.6% mercury.

The controversy represented in Vaccine Nation surrounding the safety and side effects of vaccines, and vaccines’ suspected relationship to the autism epidemic are still real.  The debate on vaccine safety is ongoing and increasing: recent CDC statistics show that 10% of parents (up from 2% to 3%.) are avoiding or delaying vaccinating their children because of concerns about vaccine safety.

As such, Vaccine Nation is a dramatization of this debate, presented in the form of a thriller that will hopefully both entertain you and make you think.

Read first chapter of Vaccine Nation

Buy Vaccine Nation:  Buy US   Buy UK 

Visit David Lender's website

Wednesday, October 26, 2011

Vaccine Nation and the Vaccine Safety Debate

Click cover to buy on Amazon
My new thriller, Vaccine Nation, is a fast-paced action thriller designed to entertain, but it also explores the very real issues in the current debate over vaccine safety in the mandatory U.S. National Immunization Program.  The book is now available on Amazon for pre-order for delivery November 22nd.  Please click on the book cover to order.

In Vaccine Nation, Dani North is a filmmaker who just won at the Tribeca Film Festival for her documentary, The Drugging of Our Children, a film critical of the pharmaceutical industry.  She’s also just started work on a new documentary on autism.  When a pharmaceutical industry vaccine researcher hands her smoking gun evidence about the U.S. National Immunization Program seconds before he’s murdered right in front of her, Dani finds herself implicated and pursued by the police.

Dani realizes what she’s been handed could have crucial implications on upcoming hearings by a Senate committee.  A key issue the Senate committee will consider is whether Congress should continue the immunity it granted in 1986 to the pharmaceutical industry for claims by parents on damage to their children from the U.S. National Immunization Program. That puts Dani on the run in a race to understand and expose the evidence.  That is, before the police can grab her, or Grover Madsen, a megalomaniacal pharmaceutical industry CEO, can have her hunted down by his hired killers.  Madsen knows exactly what Dani has and how explosive it is for the pharmaceutical industry: it has the potential to make the tobacco industry’s lawsuits and subsequent multi-billion dollar settlements seem like routine slip-and-fall cases.  Madsen uses all his company’s political and financial resources to track Dani.

The book’s pace is intended to be reminiscent of Six Days of the Condor (and the film it spawned, Three Days of the Condor), or Hitchcock’s North by Northwest.  The action of Vaccine Nation occurs over four breathtaking days.

The current debate in the U.S. on vaccine safety portrayed in the novel is real.  My primary inspiration for writing Vaccine Nation was my exposure to the vaccine debate through my fiancé’s work as a documentary filmmaker in the health-related field, including films on ADHD and related drugging of children, and on vaccines and autism.  The facts in Vaccine Nation are accurate, based on my exposure to them through Manette’s films and my own research.  People will find some of them shocking.  For example, in 1986, Congress granted immunity to the pharmaceutical industry for liability related to their vaccines for the National Immunization Program.  Vaccines in the childhood vaccination schedule contain toxic substances like aluminum, formaldehyde and the chemical compound in anti-freeze.  The flu shot still contains thimerosal, a preservative that is 49.6% mercury.

The controversy represented in Vaccine Nation surrounding the safety and side effects of vaccines, and vaccines’ suspected relationship to the autism epidemic are still real.  The debate on vaccine safety is ongoing and increasing: recent CDC statistics show that 10% of parents (up from 2% to 3%.) are avoiding or delaying vaccinating their children because of concerns about vaccine safety.

As such, Vaccine Nation is a dramatization of this debate, presented in the form of a thriller that will hopefully both entertain you and make you think.

Read first chapter of Vaccine Nation

Buy Vaccine Nation:  Buy US   Buy UK 

Visit David Lender's website

Wednesday, October 12, 2011

Union Square

They have a farmers’ market in Union Square in New York City.  Manette once told me that famous chefs go there to purchase organic produce for their restaurants.  About a month later she told me the same thing.  The next month, too.  And the next month.  It's become a standing joke between us that any time anyone repeats herself, we tell the story about the famous chefs shopping for organic produce in Union Square.

We both watched an episode of the Dog Whisperer in which Cesar counseled a couple who owned a neurotic German Shepherd.  It seems the reason the Shepherd was frantic was because it was unable to fulfill its purpose in life.  Cesar gave it a backpack to carry around bottles of water--he must've seen the same cartoons I did as a kid where the St. Bernards had casks of brandy around their necks--and the dog was cured.

Styles isn't neurotic.  He knows his purpose.  So do we.  It's balls.

He chases them down and brings them back in the driveway.  Now that the pool is closed, he roams the entire back yard, running across the pool cover if necessary to retrieve them.  He chases them down at Staib Park, where the neighbors have an informal dog park at 5 p.m. every day.  There, Zac can throw the ball a few hundred feet and Styles tears after it to the amazement of everyone.  When he was a puppy he was fast.  Now he's unbelievable.  I can’t remember if Superman had a dog, but if he did, it would be Styles.
Styles in the goal

He’s also a soccer goalie between the kitchen and the dining room.  Any time of day he’ll stand there, in the doorway, his goal, waiting, poised to save a shot kicked at him.  He’ll slam his feet together to stop a rug-burner, or snap a lifted shot out of the air in his mouth.  If he isn’t in position, from any room in the house you say, “Get in the goal,” and he’s there in a flash.  We ask the neighboring kids, Nikki and Tina, to come over a few times a month, usually when we’re out, to play ball with Styles.  He knows that’s the only reason they’re there.  He goes crazy, jumping, then runs to find a ball and heads for the door.

Every other time I come into the house after playing ball with Styles out back I tell Manette that Styles' purpose in life is to chase balls.  Then she tells me about the famous chefs at Union Square.