Showing posts with label Hank Lender. Show all posts
Showing posts with label Hank Lender. Show all posts

Sunday, December 16, 2012

Victorian Christmas


Every year or so during the Christmas season, I try to return to the small town of Mt. Tabor in northern New Jersey where I grew up.  Not only does it bring back memories from my childhood, but the town itself hasn't changed much since the Victorian era, so it’s like walking into a Victorian Christmas.
Mt. Tabor, NJ

Mt. Tabor was founded in 1869 by the Methodist church as one of two camp meeting grounds in New Jersey for outdoor summer religious retreats.  The Methodist faithful would pitch tents and camp out in either Mt. Tabor or Ocean Grove for the month of August to study the Bible, attend revival meetings, and hear sermons and religious lectures.  In time, the revelers built cottages on the 16’ x 25' tent lots and Mt. Tabor soon became a summer resort.  Eventually the cottages were winterized, which led to a year-round community.  Many of the original cottages still exist today.  Homes in the old section of town are covered with Victorian filigree, trim and railings and many are still painted with bold complementary colors true to the Victorian era.

Mt. Tabor is still a hilltop community of about 1,000 people with beautiful wooded streets, 15 MPH speed limits, its own nine-hole golf course—the former farm of Stephan Dickerson, who sold the property to the Methodists in 1869 and whose descendants still live in town—basketball courts, a playground, a baseball diamond and Mt. Tabor School, to which I walked across town as a child, as do the children today.  It was a special place, and still is.

But for most of us, the Christmas season was the most special.  Christmas decorations were a tradition in town; not the Santa Claus and reindeer variety, but white and multi-colored lights adorning the angular peaks, gingerbread and railings of the Victorian homes.  There was no rulebook that said you had to participate, but almost every household did its part to decorate the town.

In our family, trimming the outside of the house was as much an annual ritual as decorating the Christmas tree.  We’d march up to the attic and bring down all the lights, then crawl under the porch to drag out the ladder.  Dad would direct us to our stations, then climb the ladder and my three brothers and I would feed the strings of lights along like a bucket brigade, Paul, the youngest behind me, Jon ahead of me, and Mark, the oldest, a "big kid" with his feet two rungs up on the ladder.  By the time we got back inside hours later, the house was warm from the fire and Mom had Andy Williams, Burl Ives and Tony Bennett singing Christmas songs on the record player.  The house smelled like fireplace smoke, pine from the Christmas tree, and cinnamon and cloves from the hot mulled cider Mom had ready for us.  After a snack and Christmas cookies with the hot cider, we'd tackle decorating the Christmas tree.

I'm sure it didn't snow for some Christmases, although my memory is a blank for those, as I always remember walking around town on snow-covered streets with my family to take in the lights, and to participate in groups of Christmas carolers performing for the neighbors.  It had an aura of something from Charles Dickens’ era: the crunch of snow underfoot, Oh Come All Ye Faithful wafting from a few blocks away from another group of carolers, and our noses and fingers stinging from the cold air.  I always half expected to see Scrooge, after his evening transformation by the ghosts, with Tiny Tim beside him, walk around the corner.

On those caroling evenings we were frequently invited inside for hot chocolate by the neighbors.  Maybe people would think that's corny today, but it still goes on.

Another tradition was sledding (we called it “sleigh riding”) and tobogganing on the golf course.  The fourth green, sacred ground that couldn’t be tread upon by kids in summer, was always made available to us in winter as a perfect launching pad for our rides.  You could even find Chas Fouquet, the most obsessive golfer in town, helping to give our sleds that initial push across the expanse of the green to build up speed for a breathtaking run down the hill to the long slope of the third fairway.  There was also a rite of passage at about the fifth or sixth grade that advanced you to taking runs down "Bloody Guts", the 45-degree bone-crushing hill from the tee down to the sixth green over rocks, nasty tree stumps and a stream bed that would eat you alive if you didn't properly negotiate the four-foot-wide bridge across it.

As I write this I've decided I'm going back to Mt. Tabor this year to walk around town to take in the Christmas lights.  Hopefully snow will cover the streets, as it should.  Most things in our lives change, but Mt. Tabor will always hold, for those of us who grew up there, the ability to transport us into the past by virtue of its retention of the traditions of old.  I wish you all happy holidays with the hope you have an opportunity to revisit some of your own traditions of the season, and that your memories of former holidays are as precious as mine.

Saturday, December 24, 2011

Merry Christmas to Janet and Hank Lender

I ran a post on September 2nd, which would have been my father's 88th birthday, entitled "Hank Lender's Photographic Legacy."  I've reproduced the post below, with the addition of the cover photo I used for Vaccine Nation, my current thriller.  That photo, from the dock at Mom and Dad's house on Twin Lakes, PA, was the last he ever took.  Mom passed away a year and a half ago, and we sold the lake house just last week.  Now the photo has extra meaning.   Merry Christmas, Mom and Dad.
Copyright 2005 by Herman J. Lender
Dad was an accomplished man on many levels, including having a good sense of humor.  I was with him when Dr. Kimmel, his cancer surgeon, visited him the night before his final surgery.  The odds weren't good, and one of Dr. Kimmel’s final comments was that Dad’s chances of survival were, "miniscule."  After Dr. Kimmel left, Dad said, "Well, at least I don't have to worry about running out of money."

"The Man in White"
Copyright 2005 by Herman J. Lender

Then he got serious.  He made a rueful comment about "all this knowledge" he'd accumulated, and that it would pass on with him.  Dad seemed to be interested in just about everything—classical music, photography, opera, The Beatles, bread baking, gardening, finance, running; the list is endless—and after high school was totally self educated.  We talked about his legacy and I made the point that the knowledge he accumulated, his interest in things, and his intense approach to learning about them was something that would be carried on through his four sons and all his grandchildren.  Ironically, one thing we didn't talk about was his photography, a life-long interest of his.
Copyright 2005 by Herman J. Lender


My brothers and I grew up hearing about Leicas, Nikons, Hasselblad's, telephoto lenses, light meters and f-stops.  Dad built basement darkrooms in each of the three houses in Mt. Tabor we lived in growing up, then another in New Canaan after I went off to college.  We all experienced the magic of going into the darkroom with Dad and watching under a dim yellow bulb as Dad's 35mm black-and-white images appeared in the developer bath.  He taught us how to pick up a photo from the developer bath by the corner with the plastic tweezer, let it drain, then dunk it in the fixative, then in the water bath.  Sometimes I detect a scent that reminds me of those chemicals and it always takes me back to those days.

After Mom died a year ago, we went through all of Mom and Dad's things to close up her apartment.  They had tons of his framed prints on the walls and stacked in boxes in the closets; they’re still sitting in my attic because my brothers and I haven't finished divvying them up.  Most of Dad's 35mm negatives and his color slides are upstairs in their house at Twin Lakes.  But after we closed up Mom's apartment, I put all of Dad's digital collection—he converted to digital in 2000—on 16 GB USB flash memory drives and sent one to each of my brothers.  So that's another part of Dad's legacy we can all carry on.

Copyright 2005 by Herman J. Lender
The cover photos for all three of my books—Trojan Horse, The Gravy Train and Bull Street—are Dad's.  Dad's originals are presented here, before I cropped and Photoshopped the first two so the lettering would stand out on the covers.  Most think the pictures are of Wall Street, which was the image I intentionally tried to evoke based on the content of my books, but they're actually of Second Avenue and the 59th St. Bridge, taken from the balcony of Manette’s and my 24th floor apartment at 58th St. and Second Avenue in New York City.  Dad titled the photo for the Trojan Horse cover, at top left, "The Man in White."  If you look closely, you can see a man dressed completely in white jaywalking through the heavy traffic (he’s inside the “D” of “Lender” on the book’s cover).  The photo for the cover of The Gravy Train, at center, is about the same shot taken at night.  The Bull Street cover photo is at left, a night shot of the 59th St. Bridge.